Oslo Philharmonic takes an unusual approach to two masterpieces

By Edward Sava-Segal, 14 September 2019

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“grimaces and grandiloquent gestures were totally absent”

Reviewed at Palace Hall (Sala Palatului), Bucharest on 13 September 2019

Torvund, Morgon i skogen (Forest Morning)

Grieg, Piano Concerto in A minor, Op.16

Grieg, Lyric Pieces: Norwegian march, Op.54 no.2

Bartók, Concerto for Orchestra, Sz 116

Vasily Petrenko, Conductor

Leif Ove Andsnes, Piano

Oslo Philharmonic

Virtuosity and volume: Oslo Phil plays Tchaikovsky and Shostakovich

Chanda VanderHart, 22nd January

Batiashvili’s account of the Tchaikovsky concerto confirms why she remains one of the most compelling violinists of her generation.

***11

Batiashvili, Mäkelä and the Oslo Philharmonic in Hamburg

Mengguang Huang, 18th January

A last-minute programme change doubles Batiashvili’s Tchaikovsky at the Elbphilharmonie, but repetition is transformed into fresh revelation.

****1

A high Klaus operation: Mäkelä and the Oslo Philharmonic

David Karlin, 23rd October

In their home concert hall under their Chief Conductor, the Oslo Philharmonic produce a high quality performance of Tchaikovsky's Fourth Symphony.

****1

Superstar performances from Yuja Wang and Klaus Mäkelä in Edinburgh

David Smythe, 22nd August

Yuja Wang plays both Ravel piano concertos with the Oslo Philharmonic Orchestra at the Edinburgh International Festival.

*****

Mäkelä leads his Oslo troops in a gripping Shostakovich 5

Mark Pullinger, 25th May

Leif Ove Andsnes joins the Oslo Philharmonic in dynamic Rachmaninov before high-energy Shostakovich closes the season.

****1

With a fine Oslo Philharmonic, Yuja Wang wows the Proms

David Karlin, 12th August

Yuja Wang lives up to her superstar status in Liszt and a couple of operatic encores, while the Oslo Philharmonic show icy clarity in Sibelius and orchestral colour aplenty in Strauss.

****1

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Edward Sava-Segal

Edward has been living in New York for the last 25 years, one of the reasons being the extraordinarily rich cultural life in this city. He has studied piano and classical music in his early years. He switched later on to computer science and data architecture but he kept an unwavering interest in following the classical music phenomenon here in New York and in his travels. Edward occasionally reviews fine arts events for the most prestigious literary magazine in Romania, his home country.

At the Enescu Festival, the Oslo Philharmonic takes an unusual approach to two masterpieces