A very welcome and hilarious return to the UK from Les Ballets Trockadero de Monte Carlo, this time at Sadler’s Wells, they offer familiar and new works.
17 years after its premiere, Andrea Miller’s BLUSH, set on her company, GALLIM, returned to entrance and perplex in equal measure at New York’s 92nd St Y.
Dutch National Ballet give an exemplary account of a quadruple bill comprised of the late Hans van Manen’s works. It’s a wonderful tribute to the great master choreographer.
Juliano Nunes’ Romeo and Juliet for Philadelphia Ballet works on all fronts: as a visual spectacle with highly original choreography and as a vehicle for cultivating memorable performances.
Christine Holley’s long involvement in contemporary dance and flamenco includes teaching, performance and choreography – elements that permeate her work as a visual artist. Her specialist subject is Ballets Russes and its impact on visual arts, her writing on which is held in the National Library of Art at London’s V&A Museum and by other major arts organisations.
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