In an expertly considered programme, the Berlin-based ensemble brought together classical revolutionaries with modern homage to shine fascinating light on the form.
A well-balanced programme drew a large crowd to Wigmore Hall for a diet of high fibre Beethoven, crunchy Bartók and, joined by young Russian pianist Anna Vinnitskaya, Schumann’s delicious Piano Quintet.
The Mozartkirche, a grand Catholic church in Biberbach, provided a somewhat reverential setting for the sixth concert in the mozart@augsburg series. It was also a distinct contrast to the elaborate Small Golden Hall in which the previous evening’s concert, “Chamber Music Pearls”, was held.
Caught completely unawares – hearing a group I wasn’t familiar with, and on a Monday evening at that – I ended up seeing the Artemis Quartet give the best performance of any kind that I’ve experienced in quite a while.
Dernier concert d'une tournée capitale dans l'histoire du Quatuor Artemis, qui voit la moitié de son effectif se renouveler après trente ans de carrière.
Nahoko is a UK-based Japanese music journalist with a background in musicology. She writes regularly for various Japanese media including Ongaku no tomo and Mostly Classic magazines.
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