Ashkenazy and the Philharmonia

By Nick Boston, 17 March 2017

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Reviewed at Royal Festival Hall, London on 16 March 2017

Schubert, Rosamunde, D.797: Overture

Mozart, Sinfonia Concertante for Violin and Viola in E flat major, K364 (K320d)

Elgar, Symphony no. 1 in A flat major, Op.55

Vladimir Ashkenazy, Conductor

Veronika Eberle, Violin

Antoine Tamestit, Viola

Philharmonia Orchestra

Benedetti ablaze with the Philharmonia

Christopher Woodley, 19th April

As gifts to the Philarmonia's 80th birthday season, Nicola Benedetti gives a barnstorming account of Elgar's Violin Concerto before Cristian Mӑcelaru gets emotionally drained by La Mer.

*****

A Resurrection for the ages: Kent Nagano conducts the Philharmonia

Eleanor Knight, 19th March

Any performance of Mahler’s Resurrection Symphony is an event, but this mighty Philharmonia account at the Royal Festival Hall proves extra special.

*****

A brilliant UK premiere of John Adams’ After the Fall

David Karlin, 25th February

The Icelandic pianist and Finnish conductor make a superb case for John Adams' latest concerto; the Philharmonia play Ravel's Daphnis et Chloé strongly but don't convince completely.

****1

Renes replaces Runnicles in a remarkable Philharmonia Bruckner 8

Dominic Lowe, 19th February

Stepping in for Sir Donald Runnicles at very short notice, Lawrences Renes conducts the Philharmonia in a sleek and vivid reading of Bruckner's magisterial Eighth Symphony.

****1

Karpman’s opera Balls tells a great story, but overshoots the line

David Karlin, 20th November

An entertaining portrayal of the 1973 “Battle of the Sexes” tennis match between Billie Jean King and Bobby Riggs is marred by ham-fisted amplification.

**111

Giltburg and Foster celebrate the Philharmonia’s 80th birthday

Nick Boston, 17th November

Boris Giltburg emphasising the expression in not one but two piano concertos, with commanding performances from Lawrence Foster and the Philharmonia.

****1

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Nick Boston

Nick has an MA in Music, specialising in performance and repertoire. His particular passions are choral music, chamber music and opera, with a particular interest in early music. He sings in a number of choirs in the south east of England, plays the piano and occasionally dusts off the violin. He writes about music here.

Ashkenazy and the Philharmonia: no fireworks, just the joy of music-making