Ashkenazy and the Philharmonia

By Nick Boston, 17 March 2017

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Reviewed at Royal Festival Hall, London on 16 March 2017

Schubert, Rosamunde, D.797: Overture

Mozart, Sinfonia Concertante for Violin and Viola in E flat major, K364 (K320d)

Elgar, Symphony no. 1 in A flat major, Op.55

Vladimir Ashkenazy, Conductor

Veronika Eberle, Violin

Antoine Tamestit, Viola

Philharmonia Orchestra

When time stands still: the Philharmonia revisits Strauss

Jessica Duchen, 4th June

The Philharmonia, Santtu-Matias Rouvali and Benjamin Grosvenor shine in the recreation of an all-Strauss extravaganza that was conducted in 1947 by the composer himself.

****1

Viennese splendour in Garsington’s Rosenkavalier revival

Roy Westbrook, 28th May

Bruno Ravella's splendid 2021 production of Strauss' opera of Viennese manners returns with a fine cast.

****1

Garsington’s new La traviata ticks every musical and dramatic box

David Karlin, 27th May

Music Director Douglas Boyd conducts a performance of exceptional musical quality, and Louisa Muller's uncontroversial but passionate direction makes this Traviata one for the ages.

*****

Classical grace and Romantic eloquence from the Philharmonia

Christopher Woodley, 7th May

The contrasting delights of Schumann, Brahms and Dvořák are powerfully evoked in performances of charm, eloquence and high drama from the Philharmonia, continuing the orchestra’s 80th anniversary celebrations.

****1

Benedetti ablaze with the Philharmonia

Christopher Woodley, 19th April

As gifts to the Philarmonia's 80th birthday season, Nicola Benedetti gives a barnstorming account of Elgar's Violin Concerto before Cristian Mӑcelaru gets emotionally drained by La Mer.

*****

A Resurrection for the ages: Kent Nagano conducts the Philharmonia

Eleanor Knight, 19th March

Any performance of Mahler’s Resurrection Symphony is an event, but this mighty Philharmonia account at the Royal Festival Hall proves extra special.

*****

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Nick Boston

Nick has an MA in Music, specialising in performance and repertoire. His particular passions are choral music, chamber music and opera, with a particular interest in early music. He sings in a number of choirs in the south east of England, plays the piano and occasionally dusts off the violin. He writes about music here.

Ashkenazy and the Philharmonia: no fireworks, just the joy of music-making