Something for everyone: Balanchine + Wheeldon at New York City Ballet

By Carla Escoda, 20 September 2019

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“Maria Kowroski, flown in like a surveillance jet high over Tyler Angle’s head”

Reviewed at Lincoln Center: David H Koch Theater, New York City on 18 September 2019

Raymonda Variations (George Balanchine)

Variations pour une porte et un soupir (George Balanchine)

DGV: Danse à Grand Vitesse (Christopher Wheeldon)

New York City Ballet

Daniel Capps, Conductor

New York City Ballet Orchestra

Lauren Lovette, Dancer

Anthony Huxley, Dancer

Sara Mearns, Dancer

Daniel Ulbricht, Dancer

Maria Kowroski, Dancer

Tyler Angle, Dancer

Amar Ramasar, Dancer

Taylor Stanley, Dancer

Megan Fairchild, Dancer

Sara Adams, Dancer

Kristen Segin, Dancer

Mary Elizabeth Sell, Dancer

Ashley Hod, Dancer

Emily Kikta, Dancer

Mira Nadon’s sparkling debut in Firebird with New York City Ballet

Ivy Lin, 25th April

A triple bill comprising Balanchine's Symphony in C, Agon and Firebird could not have been more inspiringly danced by New York City Ballet.

*****

Ballet for cowboys and soldiers at Kansas City Ballet

Hilary Stroh, 20th March

Kansas City Ballet celebrate the USA’s 250th anniversary with three American ballets. Balanchine's Stars and Stripes, de Mille's Rodeo and a new work by Caili Quan, A Home Away.

****1

American Ballet Theatre's double bill is short and sweet in New York

Ivy Lin, 15th March

American Ballet Theatre presents Balanchine's Raymonda: Grand Pas Hongrois and Ratmansky's Firebird which showcases the company well and provides a strong contrast.

****1

A spectacular triple bill lifts ABT’s spring season in New York

Leigh Donlan, 13th March

A finely curated triple bill from American Ballet Theatre included works from Balanchine, Jiří Kylián and Alexei Ratmansky.

****1

Understatement and spectacle at New York City Ballet

Carla Escoda, 26th February

Jerome Robbins' Dances at a Gathering and George Balanchine's Diamonds make a study in contrasts. With lots of debuts in the former and seasoned leads in the latter.

*****

Fast Forward: Hamburg Ballet’s mixed bill proves a mixed success

Vikki Jane Vile, 22nd February

All that glistens... the world premiere of Xie Xin’s The Moon in the Ocean is the highlight of a mixed bill programme spanning 90 years of choreography.

***11

More reviews...

Carla Escoda

Born in the Philippines, Carla trained as a ballet and modern dancer with the Alice Reyes Dance Company in Manila. She has lived and worked in Asia and the U.S. and has written about the arts for Bachtrack, KQED (the northern California public media broadcaster), Dance International, dance journal/hk, the Huffington Post, Dance Europe and ballettothepeople.