Bachtrack logo

Ball im Savoy: a spirited tribute to a forgotten composer in Prague

Doubravka Součková (Madeleine de Faublas)
© Národní divadlo | Zdeněk Sokol
Barbora Řeřichová (Daisy Parker) and Daniel Matoušek (Mustafah)
© Národní divadlo | Zdeněk Sokol
Jakub Svojanovský (Célestine), Daniel Matoušek, Jiří Hájek (Aristide) and Barbora Řeřichová (Daisy)
© Národní divadlo | Zdeněk Sokol
Jakub Svojanovský (Célestine) and Doubravka Součková (Madeleine de Faublas)
© Národní divadlo | Zdeněk Sokol
Doubravka Součková, Jakub Svojanovský, Linda Caridad Fernandez Saez (Tangolita) and Jiří Hájek
© Národní divadlo | Zdeněk Sokol
Loading, please wait...
See full listing
“Bizet is just one in a blizzard of references and styles employed by Abraham”
Reviewed at State Opera (Státní opera), Prague on 16 September 2022
Abraham, Ball im Savoy
Jan Kučera, Conductor
Martin Čičvák, Director
Hans Hoffer, Set Designer
Georges Vafias, Costume Designer
Jan Dörner, Lighting Designer
Prague State Opera Orchestra
Prague State Opera Chorus
Jitka Slavíková, Dramaturgy
Vanda Šípová, Madeleine de Faublas
Doubravka Součková, Madeleine de Faublas
Csaba Kotlár, Marquis Aristide de Faublas
Jiří Hájek, Marquis Aristide de Faublas
Lucie Hájková, Daisy Parker
Barbora Řeřichová, Daisy Parker
Tomáš Kořínek, Mustafah Bey
Josef Moravec, Mustafah Bey
Daniel Matoušek, Mustafah Bey
Angela Nwagbo, Tangolita
Linda Fernandez, Tangolita
Vladimír Kratina, Archibald
Richard Haan, Archibald
Štěpán Piller, Pomerol
Petr Špinar, Pomerol
Filip Březina, Célestin Formant
Jakub Svojanovský, Célestin Formant
Viktor Javořík, Célestin Formant
Adolf Melichar, Choirmaster / chorus director
Parsifal reconsidered: A provocative improvisation in Prague
****1
Musically excellent Bartered Bride in Prague marred by meta production
****1
In Prague, a high-minded new Rheingold never gets off the ground
***11
Dido and Aeneas in Prague: wide-eyed wonderment
*****
Revival of Ostrčil’s The Legend of Erin misses the mark in Prague
***11
A bleak Jenůfa from Calixto Bieito
**111
More reviews...
Related articles
Loading image...
How to sing infanticide: Karita Mattila on Jenůfa’s Kostelnička
Loading image...
Prophet and mother to the Czechs: Mária Porubčinová on Smetana’s Libuše
Loading image...
Opera in the blood: Speranza Scappucci
Loading image...
Street-smart and subversive: Ailish Tynan talks Così fan tutte
Frank Kuznik