Juliano Nunes’ Romeo and Juliet for Philadelphia Ballet works on all fronts: as a visual spectacle with highly original choreography and as a vehicle for cultivating memorable performances.
Dutch National Ballet give an exemplary account of a quadruple bill comprised of the late Hans van Manen's works. It's a wonderful tribute to the great master choreographer.
National Ballet of Japan’s Raymonda is a gem in the repertoire, despite shortcomings in the plot. Lavish production designs, stunning classical choreography and excellent dancers makes this a ballet lover's heaven.
This revival of Romeo and Juliet combines vivid staging and technical leads, but the lover's careful partnership lacks the volatility that makes young love convincing and tragedy believable.
Graham Watts is a freelance dance writer and critic writing regularly for Dancing Times, Dance Europe, Danza Europa, and many more publications. He regularly writes features for Sadler’s Wells, London Coliseum and La Scala. Chairman of the Dance Section of the Critics’ Circle in the United Kingdom and of the UK National Dance Awards he has interviewed many of the greatest names in dance including Maya Plisetskaya, Vladimir Vasiliev, Boris Eifman, Alexei Ratmansky, Andris Liepa, Sir Peter Wright, David Bintley and Dame Gillian Lynne. When not involved in dance Graham is a keen fencer, and has captained the British Sabre team.
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