Tara Erraught's Rosina steals the show in hilarious Rossini Barber

The World Premiere at the Edinburgh Festival of The Last Hotel:   a strange and haunting new chamber opera from post-minimilist composer Donnacha Dennehyna and acclaimed writer Enda Walsh with the Crash Ensemble generating exciting rhythmic pulsing energy in the pit. 

The Irish première of John Adams' Nixon in China results in an inspiring and triumphant evening in Dublin. 

Come away fellow sailors, your anchors be weighing! All board the Cutty Sark for a semi-staging of Purcell's Dido and Aeneas with the Monteverdi Choir and English Baroque Soloists.

Ted Huffman brings some interesting ideas to his first Glyndebourne production. Excellent singing is let down by indifferent physical acting.

Riccardo Chailly’s final new production as artistic director is a celebration of Verdi and of a conductor whose relationship with the Milanese audience has clearly deepened over the years.

The German premiere of Olga Neuwirth’s Orlando at the Komische Oper cements it as a postmodern grand opéra – for better or for worse.