Batsheva Ensemble: Deca Dance

By Kit Brown, 27 November 2012

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Reviewed at Sadler's Wells Theatre, London on 19 November 2012

Deca Dance (Ohad Naharin)

Batsheva Dance Company

Hubbard Street Dance Chicago on the road, dancing impeccably

Carla Escoda, 25th March

A mixed bill with mixed results from Hubbard Street Dance Chicago at the Joyce Theater in New York.

***11

Batsheva Dance Company in Ohad Naharin’s Momo: pure energy

Katja Vaghi, 16th January

In Batsheva’s German premiere of Momo, there is no narrative to be found, but rather a series of atmospheric sequences, creating a texture of inputs as ambiguous as reality itself.

****1

Opera Ballet Vlaanderen: how to win over an audience

Deborah Weiss, 13th December

Two very diverse works that complement each other and show off the depth of talent within Opera Ballet Vlaanderen.

****1

Flickers of human fragility: Staatsballett Berlin’s superb double bill

Katja Vaghi, 28th October

Dancers as athletic poets: Staatsballett Berlin in Ohad Naharin’s Minus 16 and Sharon Eyal and Gai Behar’s Saaba.

****1

Batsheva Dance Company: Hora swaggers with tenacity and confidence

Erin Bomboy, 1st March

Naharin’s Gaga technique is this delicious, ooey-gooey, melting morass where sensation rather than skill guides the phrases

***11

Go Gaga for Ohad Naharin's Decadance in Sydney

Chantal Nguyen, 7th January

Sydney Dance Company excels in Decadance, a rare chance for Australian audiences to see work by Ohad Naharin, founder of the Gaga method.

****1

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Kit Brown

Kit, originally hailing from Northampton, now lives in London where he trains at the London Contemporary Dance School. With experience and interest in both Ballet and Contemporary Dance his main interests lie on the contemporary side of the art form.