Prom 57: From Wagner to Vienna with the GMJO

Bucharest’s temples of culture present rites of closure by Mozart, Kurtág and Bruckner… and a fleeting glimpse of Nirvana.

Argerich shows her full artistry, while Europe's young musicians show impressive coordination and dynamics, if short of emotion in Beethoven 7.

Romeo Castellucci's intense production of Bartók's opera reaps its rewards in the performance under Teodor Currentzis, but Carl Orff's opera-oratorio De temporum fine comoedia feels little more than a drab filler. 

Bach in morbid mood and valedictory Bruckner brought to life by young musicians under the baton of Philippe Jordan

The multinational Gustav Mahler Youth Orchestra proves that adolescence is no barrier to maturity in profound symphonic music making.

German bombast. French joie de vivre. Russian soul-searching. You could hardly ask for more contrast in the principal themes of last night’s Prom, with Philippe Jordan conducting the Gustav Mahler Youth Orchestra, from the military pomp of Wagner’s overture to Rienzi to the fairground whirl of Ravel’s Piano Concerto in G major.