Sunny intervals quell stormy Beethoven

By Mark Pullinger, 30 November 2014

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“Despite the stormy turbulence in much of the writing, they allowed the sunlight to flood in”

Reviewed at Wigmore Hall, London on 30 November 2014

Beethoven, Cello Sonata no. 1 in F major, Op.5 no.1

Beethoven, Cello Sonata no. 2 in G minor, Op.5 no.2

Beethoven, 7 Variations for cello and piano on "Bei Männern, welche Liebe fühlen", WoO 46

Beethoven, Cello Sonata no. 3 in A major, Op.69

Jean-Guihen Queyras, Cello

Alexander Melnikov, Piano

Bach sheds light in an impressively dark outing from the ACO

Nick Boston, 21st March

Energetic commitment from the ACO at the Barbican, with precision and edge from Alexander Melnikov and Jeroen Berwaerts in an evening of darkness and light.

****1

Energetic Scottish Symphony lifts a weighty evening with the LPO

Nick Boston, 20th January

Ponomarchuk and the LPO raise the spirits in Felix Mendelssohn's Scottish Symphony after an underwhelming first half at the Brighton Dome.

***11

Aimez-vous Rachmaninov? Alexander Melnikov at Musikfest Berlin

Elena Luporini, 27th August

Russian pianist Alexander Melnikov is joined on stage at the Philharmonie by Alexander Rudin, Nadezhda Pavlova and Olga Pashchenko to give the audience a taste of Rachmaninov's chamber repertoire.

****1

Mixed performances in Ligeti and Mozart from Les Siècles

David Truslove, 20th August

Three concertos and a symphony made for an unusual but generous programme, but Les Siècles illustrate that versatility can come with mixed blessings.

***11

Prom 19: From dawn to death with Thomas Dausgaard and the BBCSSO

Leighton Jones, 2nd August

Strauss’ Also sprach Zarathustra fills the Royal Albert Hall, while Schumann’s piano concerto is followed by MacMillan’s masterpiece The Confession of Isobel Gowdie.

****1

Melnikov and Staier bring intimacy and fresh edge to Schubert

Nick Boston, 10th January

Alexander Melnikov and Andreas Staier's sensitive and insightful performances, combined with the fortepiano's freshness and added edge, make for a special evening of Schubert.

*****

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Mark Pullinger

Mark has been a Bachtrack editor since 2014. He is also an experienced critic, writing hundreds of reviews for the site, as well as a freelancer writing for other magazines and newspapers. He also writes programme notes and blogs on Substack. Mark has a particular passion for the operas of Verdi as well as Russian and French repertoire. Outside the concert hall and opera house, Mark enjoys cooking and travel and is probably at his happiest let loose in a French patisserie or a Viennese coffee house.

Queyras and Melnikov: Sunny intervals quell stormy Beethoven