Bergen International Festival: Donald Trump sings Ligeti

By Stephen Pritchard, 06 June 2019

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“Under Gardner this fine orchestra also blooms and grows afresh”

Reviewed at Grieg Hall (Grieghallen), Bergen on 5 June 2019

Ligeti, Mysteries of the Macabre

Chin, Piano Concerto

Mahler, Das Lied von der Erde

Bergen Philharmonic Orchestra

Edward Gardner, Conductor

Sara Hershkowitz, Soprano

Sunwook Kim, Piano

Ekaterina Gubanova, Mezzo-soprano

Toby Spence, Tenor

Echo of a silent scream: Asle and Alida premieres in Bergen

Christopher Woodley, 29th March

Jon Fosse's bleak tale of alienation is graced with fine performances from a strong cast and excellent playing by the Bergen Philharmonic Orchestra under Johannes Gustavsson.

***11

Rachmaninov to remember from the Bergen Philharmonic in Antwerp

Marc Haegeman, 16th February

Víkingur Ólafsson's appearance may have been most anticipated, but it is Rachmaninov's Symphonic Dances that impresses most as the Bergen Philharmonic Orchestra and Edward Gardner make a welcome return to Antwerp.

***11

Salome stoked to red heat by Byström and the Bergen Philharmonic

David Smythe, 14th August

Returning to the Edinburgh International Festival after their astonishing Peter Grimes, the Bergen Philharmonic and Edward Gardner bring another opera, Richard Strauss' murderous Salome.

*****

Edward Gardner conducts a sharp La clemenza di Tito live from Bergen

Mark Valencia, 15th March

Mary Miller bows out after ten years at the helm of Bergen National Opera with a defiant account of Mozart’s final opera.

****1

Together at last: Víkingur Ólafsson finally plays Grieg in Bergen

Mark Pullinger, 5th February

The finale of the Icelandic pianist's five-concert residency in the Bergen Philharmonic's Wintermezzo festival saw him play Grieg's Piano Concerto in A minor... this time in the same hall as the orchestra!

****1

Bergen Philharmonic’s Close up – at a distance ends on an upbeat note

David Smythe, 26th June

Christian Ihle Hadland’s piano sparkled in Ravel sandwiched by lively and joyful Rameau and Mozart.

****1

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Stephen Pritchard

Stephen Pritchard began singing as a treble at the age of eight and progressed to become a tenor in Portsmouth Cathedral Choir, the Gibbons Consort and now the English Chamber Choir. Writing about music has been at the core of his 40-year career in journalism, chiefly at the Observer. He has been known to play a pretty mean jazz double bass.

Bergen International Festival: Donald Trump sings Ligeti, and Mahler overwhelms