Berlioz’s Grande Messe des morts opens Bergen International Festival

By Aksel Tollåli, 29 May 2018

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“the grandiosity of the opening turning into palpable, edge-of-your-seat excitement”

Reviewed at Grieg Hall (Grieghallen), Bergen on 24 May 2018

Berlioz, Requiem "Grande Messe des morts", Op.5

Bergen Philharmonic Orchestra

Eikanger-Bjørsvik, Brass and Percussion Ensemble

Edvard Grieg Choir

Bergen Philharmonic Chorus

Collegium Musicum Choir

Royal Northern College of Music Chorus

Edward Gardner, Conductor

Bror Magnus Tødenes, Tenor

Håkon Matti Skrede, Choirmaster / chorus director

Echo of a silent scream: Asle and Alida premieres in Bergen

Christopher Woodley, 29th March

Jon Fosse's bleak tale of alienation is graced with fine performances from a strong cast and excellent playing by the Bergen Philharmonic Orchestra under Johannes Gustavsson.

***11

Rachmaninov to remember from the Bergen Philharmonic in Antwerp

Marc Haegeman, 16th February

Víkingur Ólafsson's appearance may have been most anticipated, but it is Rachmaninov's Symphonic Dances that impresses most as the Bergen Philharmonic Orchestra and Edward Gardner make a welcome return to Antwerp.

***11

Salome stoked to red heat by Byström and the Bergen Philharmonic

David Smythe, 14th August

Returning to the Edinburgh International Festival after their astonishing Peter Grimes, the Bergen Philharmonic and Edward Gardner bring another opera, Richard Strauss' murderous Salome.

*****

Edward Gardner conducts a sharp La clemenza di Tito live from Bergen

Mark Valencia, 15th March

Mary Miller bows out after ten years at the helm of Bergen National Opera with a defiant account of Mozart’s final opera.

****1

Together at last: Víkingur Ólafsson finally plays Grieg in Bergen

Mark Pullinger, 5th February

The finale of the Icelandic pianist's five-concert residency in the Bergen Philharmonic's Wintermezzo festival saw him play Grieg's Piano Concerto in A minor... this time in the same hall as the orchestra!

****1

Bergen Philharmonic’s Close up – at a distance ends on an upbeat note

David Smythe, 26th June

Christian Ihle Hadland’s piano sparkled in Ravel sandwiched by lively and joyful Rameau and Mozart.

****1

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Aksel Tollåli

Aksel is currently studying towards a degree in musicology at the University of Oslo. At the moment he is an exchange student at Goldsmiths College in London. He is also a choral singer and a trombonist. His musical interests include 20th-cenury French music, Baroque opera and the music of Richard Strauss.

Thunderingly quiet: Berlioz’s Grande Messe des morts opens the Bergen International Festival