Superb Dvořák 7 from Blomstedt and Vienna Phil

By Marc Haegeman, 27 September 2018

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“Viennese woodwinds shone in fruity harmonies, strings wove grainy textures and the horns bloomed”

Reviewed at BOZAR: Main hall, Brussels on 25 September 2018

Berwald, Symphony no. 3 in C major "Sinfonie Singulière"

Dvořák, Symphony no. 7 in D minor, Op.70

Strauss II, Kaiserwalzer (Emperor Waltz), Op.437

Vienna Philharmonic

Herbert Blomstedt, Conductor

Shared language and living history: Zubin Mehta and the Vienna Phil

Chanda VanderHart, 19th March

Zubin Mehta, Pinchas Zukerman and the Vienna Philharmonic meet in repertoire they know intimately, illuminating it through mutual understanding.

*****

Vienna Philharmonic closes Carnegie residency

Edward Sava-Segal, 1st March

Andris Nelsons pairs Richard Strauss’ Also sprach Zarathustra with Sibelius’ Second Symphony to conclude the Vienna Philharmonic's latest Carnegie Hall residency.

****1

Contemplation and exuberance: Vienna Philharmonic at Carnegie Hall

Susan Stempleski, 28th February

Andris Nelsons conducts the Vienna Philharmonic in the New York premiere of a solemn, modernist work paired with two high-spirited symphonies from the 18th and 19th centuries.

****1

A vanished Old World with the Vienna Philharmonic in Hamburg

Mengguang Huang, 20th January

A Vienna Philharmonic evening conjures a vanished world: Strauss’ muscular drama and intimate humour, Haydn’s inward gravity and a graceful waltz to close.

****1

The Vienna Philharmonic explores Central Europe with Jakub Hrůša

Chanda VanderHart, 11th December

At the Konzerthaus, the Vienna Philharmonic travels across the Austrian borders with Jakub Hrůša into the varied sound worlds of Hungary, Bohemia and Moravia.

****1

Thielemann and the Vienna Philharmonic’s Bruckner 5 in Seoul

SangKwon Lee, 20th November

A tightly focused and cohesive Bruckner Fifth Symphony at the Seoul Arts Center as Christian Thielemann and the Vienna Philharmonic continue their Asian tour in compelling fashion.

*****

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Marc Haegeman

Marc Haegeman graduated as a historian from the University of Ghent. He developed a keen interest in music, ballet, photography and nature. As a dance writer and photographer he contributed to leading dance magazines in the last 20 years, including The Dancing Times, Dance International and Ballet2000, and has been working with companies worldwide. His classical music reviews appeared in Classical Net and on his blog I used mostly my ears. He is particularly interested in Russian music and the piano. When free, he loves spending time in nature, photographing landscapes and wildlife.

Superb Dvořák 7 from Blomstedt and Vienna Philharmonic in Brussels