Alexander Shelley tackles Schumann’s sprawling Das Paradies und die Peri with conviction, shaping real momentum and drama, even if balance issues and Thomas Moore’s cloying libretto sometimes distract.
Works by Boulanger and Shostakovich pay off handsomely before Rimsky-Korsakov’s Scheherazade, shaped with dynamic control and visceral energy, crowns a vividly played concert.
Scintillating Mozart meets soul-searching Bruckner as Anja Bihlmaier and the NSOI deliver a programme of vivid contrasts and compelling musical storytelling.
From an Anna Clyne Irish premiere to Tchaikovsky’s brilliance and Shostakovich’s grim wit, the NSO balances virtuosity with thoughtful nuance in Dublin.
Boston-born, educated at Concord Academy and Sarah Lawrence College, Cynthia Wilson studied harpsichord in Amsterdam. She has performed, taught and held significant management positions: public radio, Philips Hall, Rotterdam Philharmonic. Wilson subsequently founded wwclassics: (arts) policy and (events) production. She recently published the biography of Menahem Pressler (Beaux Arts Trio).
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