Bravery and beauty from Britten Sinfonia and Voices

By Simon Cummings, 21 March 2016

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“Having stopped our hearts, the conclusion then broke them”

Reviewed at Birmingham Town Hall, Birmingham on 20 March 2016

Byrd, Miserere mei, Deus

Shostakovich, Chamber Symphony in C minor (arr. Rudolf Barshai), Op.110a

Bach, O Jesu Christ, mein Lebens Licht - motet, BWV118

MacMillan, Seven Last Words from the Cross

Britten Sinfonia

Britten Sinfonia Voices

Eamonn Dougan, Conductor

At Aldeburgh Festival, Nicholas Daniel plays the Pied Piper of Cool

Christopher Woodley, 13th June

For the Aldeburgh Festival's 75th anniversary celebrations, Daniel delivered a great performance of Vaughan Williams's Oboe Concerto, in the company of Gustav and Imogen Holst.

****1

Britten Sinfonia ablaze on the BBC Proms’ hottest night

Nick Boston, 6th September

Inventiveness, joyful performance and intuitive communication from Thomas Gould and the Britten Sinfonia in recompositions from Richter, Auerbach and Tippett.

*****

Donizetti's L’esule di Roma: a Roman triumph for Opera Rara

Dominic Lowe, 11th May

This is the 27th Donizetti opera given the Opera Rara treatment and their ability to spot a hidden gem remains as adroit as ever.

****1

Love and death in Scotland: Mercadante’s Il proscritto

David Karlin, 28th June

A great orchestral performance of an exciting score don't quite mask the dramatic weaknesses of Opera Rara's latest.

***11

Holst's Sāvitri: near-death experience in the Barbican

Roy Westbrook, 4th May

A game of three halves from the Britten Sinfonia, with a late appearance by three star soloists.

****1

Colin Currie conducts Reich/Richter at the Barbican

Benjamin Poore, 23rd October

A new collaboration from Gerhard Richter and Steve Reich tantalises and enthralls in London.

****1

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Simon Cummings

Simon Cummings is a composer, writer and researcher based in the Cotswolds. He composes instrumental and electronic music, exploring aspects of algorithmic composition, and has recently completed a Ph.D. in composition at the Birmingham Conservatoire under the supervision of Richard Causton and Howard Skempton. His musical tastes are ludicrously broad but are focused most on contemporary/avant-garde classical and electronic music. When not composing, he writes regularly about new music; Simon is the author of the contemporary music blog 5:4 (5against4.com), and regularly contributes articles for a variety of books, journals and websites. Follow him on Twitter @5against4.

Staring into the void: bravery and beauty from Britten Sinfonia and Voices