RPO and Pinchas Zukerman deliver safe as houses repertoire

By David Truslove, 27 April 2018

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“Zukerman is as reliable as ever and can still deliver handsome tone and a bombproof technique”

Reviewed at Royal Festival Hall, London on 26 April 2018

Sibelius, The Swan of Tuonela, Op.22 no.2

Bruch, Violin Concerto no. 1 in G minor, Op.26

Elgar, Sospiri for string orchestra and harp, Op.70

Elgar, Enigma Variations on an Original Theme for Orchestra, Op.36

Pinchas Zukerman, Violin

Royal Philharmonic Orchestra

Amanda Forsyth, Cello

Turangalîla underwhelms at the Southbank’s Multitudes festival

Roy Westbrook, 23rd April

Serious music ill-matched by filmic limitations as the Royal Philharmonic Orchestra tackles Messiaen’s epic “symphony” as part of the Southbank’s cross-genre festival.

**111

Edusei’s Beethoven and Rangwanasha’s Strauss thrill at Cadogan Hall

Christopher Woodley, 26th February

Kevin John Edusei, Masabane Cecilia Rangwanasha and the Royal Philharmonic Orchestra celebrate the joys of a life well-lived – rounded off to the sounds of larks ascending.

****1

Petrenko’s searing Shostakovich overshadows Grosvenor’s Beethoven

Nick Boston, 3rd February

Stylish Beethoven from Benjamin Grosvenor and dramatic Ustvolskaya from Yuriy Yurchuk, but Petrenko and the RPO’s blistering Shostakovich steals the show.

****1

Charisma and colour from Vasily Petrenko and the Royal Philharmonic

Chris Garlick, 7th September

The Royal Philharmonic Orchestra’s BBC Proms matinee proves an ideal opportunity to demonstrate their strengths in a programme of Respighi, Milhaud and Vaughan Williams.

****1

Perception-altering Shostakovich from Serebrennikov and Petrenko

Mark Pullinger, 27th April

As part of the Southbank Centre's Multitudes festival, Shostakovich's Leningrad Symphony is given a stunning visual direction by Kirill Serebrennikov to match the RPO's gripping playing.

*****

A trio of exiled composers: Petrenko and the RPO at the RFH

David Truslove, 23rd March

Assured performances from the RPO as part of its ongoing “Lights in the Dark” series that brought career correspondences between three markedly different composers.

****1

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David Truslove

After many years as a musician – conducting choirs, singing as a lay clerk at Winchester Cathedral and an involvement in education, David now writes programme notes, occasionally composes and enjoys a busy schedule of reviewing.