Bruchlandung - Apocalyptic Man faces a tough choice.

By David Smythe, 03 August 2014

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Reviewed at St Peter's Church, Edinburgh on 1 August 2014

Hullick, Bruchlandung

Guillermo Anzorena, Baritone

Michael Kieran Harvey, Piano

Judith Hamann, Cello

Glyndebourne’s first Tosca: vocally strong but imperfect

David Karlin, 21st May

Ted Huffman brings some interesting ideas to his first Glyndebourne production. Excellent singing is let down by indifferent physical acting.

***11

The ears have it: Purcell’s Dido and Aeneas on the Cutty Sark

Mark Valencia, 21st May

Come away fellow sailors, your anchors be weighing! All board the Cutty Sark for a semi-staging of Purcell's Dido and Aeneas with the Monteverdi Choir and English Baroque Soloists.

****1

Orlando revisited: Olga Neuwirth’s Woolf adaptation comes to Berlin

Elena Luporini, 16th May

The German premiere of Olga Neuwirth’s Orlando at the Komische Oper cements it as a postmodern grand opéra – for better or for worse.

***11

Anna Netrebko gatecrashes Riccardo Chailly’s La Scala farewell

Laura Servidei, 16th May

Riccardo Chailly’s final new production as artistic director is a celebration of Verdi and of a conductor whose relationship with the Milanese audience has clearly deepened over the years.

*****

The Drover's Wife brings Aboriginal Dreaming to opera audiences

Jeremy Eccles, 16th May

Emerging from different incarnations of Leah Purcell’s play, George Palmer’s opera develops traditional Dreaming elements from Aboriginal mythology, premiering in Brisbane.

****1

Iolanta paired with Luonnotar in dramatic Helsinki double bill

No’a L. bat Miri, 15th May

In Helsinki, Antony McDonald pairs Tchaikovsky’s Iolanta with a staged version of Sibelius’ tone poem Luonnotar, brilliantly voiced by soprano Silja Aalto.

*****

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David Smythe

David the farmer was drawn into music through choirs, orchestras, taking part in and directing 'serious' opera as a student. Passionate about live classical music, particularly chamber opera, unusual pieces and events and giving the next generation the tools to engage with the classical world.