Emerging from different incarnations of Leah Purcell’s play, George Palmer’s opera develops traditional Dreaming elements from Aboriginal mythology, premiering in Brisbane.
Riccardo Chailly’s final new production as artistic director is a celebration of Verdi and of a conductor whose relationship with the Milanese audience has clearly deepened over the years.
In Helsinki, Antony McDonald pairs Tchaikovsky’s Iolanta with a staged version of Sibelius’ tone poem Luonnotar, brilliantly voiced by soprano Silja Aalto.
With Aigul Akhmetshina and Seokjong Baek in the title roles, there are reasons to be optimistic, but The Royal Opera’s revival of Richard Jones’ production is a mixed bag.
David Larkin is a Senior Lecturer in Musicology at the University of Sydney, where he specialises in nineteenth-century music. Educated at Dublin and Cambridge, he has published on the music of Richard Strauss, Liszt and Wagner. As a reviewer, he has reported from the Bayreuth Festival and reviewed opera and concert performances in four different countries. He gives regular pre-concert talks and educational lectures at venues all around Sydney and enjoys singing with choirs and playing the piano (in private).
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