Princess Ida holds her court amongst the rarer Gilbert and Sullivan operas; their eighth collaboration, it opened at the Savoy Theatre on 5 January 1884, running for 246 performances.
Gilbert and Sullivan’s Iolanthe made history twice over on its opening night of 25 November 1882: in the first instance it was the first G&S production to play at the recently completed Savoy Theatre; and in the second, it was the first to open (almost) simultaneously at the Standard Theatre, New York City, beginning barely an hour after the conclusion of the London performance on the same d
Few 19th-century operettas exceed HMS Pinafore in style, wit and musical accomplishment; the principal candidates in English are The Mikado, and The Yeoman of the Guard, plus a few offerings by Lionel Monckton and Sidney Jones. Any foreign contender would surely be one of the champagne-soaked Viennese delicacies by the Strauss family or Carl Zeller.
Among the fourteen Gilbert and Sullivan operettas, it must be acknowledged that there are glimpses of weakness. The Gondoliers maintains one of Gilbert’s typically insane plots, which is best described as ‘topsy-turvy’ until the final scene, when order is restored. Likewise the music is far from Sullivan’s strongest score, but there are moments of inspired vocal writing.
Following training as a singer and conductor, Andrew is now completing a doctoral thesis on the life and songs of Sir Granville Bantock. Interests include English and American music, with an emphasis on opera, choral music and song. Andrew has been published in MUSO, Early Music, and by BBC Radio 3 and the BBC Proms.
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