Jerome Robbins' Dances at a Gatheringand George Balanchine's Diamonds make a study in contrasts. With lots of debuts in the former and seasoned leads in the latter.
Never has Justin Peck seemed more compositionally assured, and paradoxically freer, than in his latest ballet, breaking the mold of past work that mostly celebrated the camaraderie of his generation.
Dutch National Ballet returning to New York after more than 40 years should have been thrilling. The opening program, whilst beautifully danced, was somewhat muted.
London City Ballet move into a new venue with absolute confidence and gravitas in a quadruple bill that says everything about their future and success.
In its triple bill Prism, The Australian Ballet gives the audience three different dance and sound worlds as well as showcasing fleet, athletic and precise dancing.
A former research scientist and policy analyst, Janet Ward is a writer/editor. For the past 50 years, she has been attending ballet performances, with a particular focus on Russian companies, which she has travelled far and wide to see. She is currently working on a book about the Bolshoi Ballet.
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