Canadian Opera Company's Peter Grimes with Ben Heppner

By James Karas, 10 October 2013

Loading, please wait...

See full listing

Reviewed at Four Seasons Centre for the Performing Arts, Toronto on 8 October 2013

Britten, Peter Grimes

Canadian Opera Company

Johannes Debus, Conductor

Neil Armfield, Director

Ben Heppner, Peter Grimes

Ileana Montalbetti, Ellen Orford

Alan Held, Captain Balstrode

Jill Grove, Auntie

Canadian Opera Company’s Barber proves as fresh as ever

John Gilks, 5th February

The Barber is back in Toronto with an excellent cast, young and old, and it’s as lively, colourful and energetic as ever.

****1

Christopher Alden’s Rigoletto returns to Canadian Opera Company

Michelle Assay, 28th January

Christopher Alden’s Victorian-era Rigoletto still divides opinions, despite top-notch performances all around in this Toronto revival.

***11

Canadian Opera's Orfeo returns elegant, restrained and very satisfying

John Gilks, 9th October

The restrained beauty of Robert Carsen’s production of Gluck’s Orfeo ed Euridice is matched by musical elegance in its revival current revival at the Four Seasons Centre.

*****

Canadian Opera Company opens season with Roméo et Juliette

John Gilks, 27th September

Amy Lane’s production of Gounod’s Roméo et Juliette at the COC is eye-catching and enjoyable but doesn’t offer the same level of insight as her Faust last season.

***11

Eugene Onegin revival fails to find the magic spark in Toronto

John Gilks, 2nd May

Robert Carsen’s 1997 production of Eugene Onegin has aged remarkably well but the latest Canadian Opera Company revival of it doesn’t quite recapture its magic.

***11

COC triumphs with Kentridge’s brilliantly conceived Wozzeck

John Gilks, 25th April

William Kentridge's production of Berg’s Wozzeck has it all: wonderfully imaginative and disturbing designs, terrific acting and singing plus fabulous orchestral playing.

*****

More reviews...

James Karas

James Karas is a writer and a lawyer. He holds degrees in English Literature and Law. He reviews opera and theatre extensively and writes about cultural matters for various publications.