Expanding possibilities: You and I Know, Candoco Dance Company at the Southbank

Comoany Chameleon takes residence at at the Royal Elizabeth Hall, and perform Of Man and Beast in the Clore Ballroom, as part of Southbanks' Being a Man Festival

A stupendous London debut from Tulsa Ballet in which they present a contrasting triple bill. It bodes well for further invitations to dance in the UK.

A triple bill including Tiler Peck’s newest ballet for NYCB, does not entirely work. Too much blue light and sadness for one program.

Ballet isn’t always pretty, there are plenty of examples in repertoires across the world. John Neumeier’s Streetcar Named Desire (Endstation Sehnsucht) is to reach another level of grim but gripping brutality told through dance.

Septime Webre’s dazzling, maximalist Great Gatsby for the Kansas City Ballet is instantly engaging.

An excellent extension to Akram Khan’s growing repertoire of contemporary ballet, Lady Macbeth, his first creation for Royal Danish Ballet, brought out powerful performances from the entire cast.