Queensland Ballet presents Peter Schaufuss’s La Sylphide at London Coliseum, with Luke Schaufuss guesting from Birmingham Royal Ballet, in the lead role of James.
Now, one assumed, with the final production in the marathon Tchaikovsky Trilogy at the London Coliseum, all loose ends would be tied neatly together and Peter Schaufuss’ conception of connecting the three great Russian classics together be evident. Right? Wrong. At the end of Sleeping Beauty the previous night, the Dream Master brought Aurora and Florimund together on the now-famous couch.
And so to the second part of Peter Schaufuss’ Tchaikovsky Trilogy of the three great Russian classical ballets. In Sleeping Beauty, re-titled A Sensual Dream, the complicated weaving of the choreographer’s vision in connecting all three ballets together begins to make a little more sense – at least to those who had viewed his Swan Lake.
Thirty years after its original production, Matthew Bourne’s Swan Lake makes its return to the stage championed by an impressive ensemble of dance artists from Bourne’s own company New Adventures.
Margaret studied ballet in Moscow for five years and later was a member of London City Ballet. A reviewer since 1978 for many newspapers and magazines including Dancing Times and Dance Magazine, Margaret is a specialist on Russian Ballet, and has written books on Russian Ballet and Carlos Acosta.
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