At the Metropolitan Opera, Innocence proves a gripping and perhaps divisive piece which feels real because it is a reflection of our reality, with no realistic hope of finding peace.
The Berliner Philharmoniker’s much-anticipated return to Salzburg gets off to an impressive musical start. Kirill Serebrennikov’s staging raises numerous questions, but answers few of them.
The Lyric Opera of Chicago's presentation of El último sueño de Frida y Diego brings the Mexican artists to life... or at least a life reminiscent of their real ones.
At the Staatsoper Unter den Linden, Rafael R Villalobos addresses the problems he perceives with Verdi’s Un ballo in maschera, although the musical performances – led by Anna Netrebko – compensate.
David Larkin is a Senior Lecturer in Musicology at the University of Sydney, where he specialises in nineteenth-century music. Educated at Dublin and Cambridge, he has published on the music of Richard Strauss, Liszt and Wagner. As a reviewer, he has reported from the Bayreuth Festival and reviewed opera and concert performances in four different countries. He gives regular pre-concert talks and educational lectures at venues all around Sydney and enjoys singing with choirs and playing the piano (in private).
Sign in to use alerts, your personal diary/wishlist, to save your recent searches, to comment on articles and reviews or if you want to input events.
Please fill in your email address, then click on one of the two buttons.