The Italian director makes his long-awaited Italian operatic debut at the Teatro alla Scala in a production which perfectly mirrors Debussy’s most enigmatic creation.
Some 30 years after its first appearance, Robert Lepage’s double bill of Duke Bluebeards Castle and Erwartung is still strikingly effective and very modern-looking music theatre.
David Larkin is a Senior Lecturer in Musicology at the University of Sydney, where he specialises in nineteenth-century music. Educated at Dublin and Cambridge, he has published on the music of Richard Strauss, Liszt and Wagner. As a reviewer, he has reported from the Bayreuth Festival and reviewed opera and concert performances in four different countries. He gives regular pre-concert talks and educational lectures at venues all around Sydney and enjoys singing with choirs and playing the piano (in private).
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