Grand opening of the Dallas Chamber Symphony

Even Mikhail Baryshnikov was curious to stop by the Brooklyn Academy of Music (BAM) on Thursday March 1st to the witness the world premiere of Mark Morris’ A Choral Fantasy. The work sets movement to the score of Beethoven’s Fantasy in C minor for piano, chorus, and orchestra, Op. 80.

The contrasting delights of Schumann, Brahms and Dvořák are powerfully evoked in performances of charm, eloquence and high drama from the Philharmonia, continuing the orchestra’s 80th anniversary celebrations. 

The music of Glinka, Stravinsky, Rachmaninov and Tchaikovsky fills Manchester’s Bridgewater Hall with mystery, intrigue and jollity. 

Seong-Jin Cho’s premise in Prokofiev is compelling – to reconcile Russian gravitational attack and monumental construction with clarity, colour and contrapuntal legibility.

From Haydn and Beethoven to Weinberg and Rachmaninov, Marc-André Hamelin reveals the piano sonata as a form of breadth, flexibility and expressive power.

The program features Maria Dueñas in Korngold's Violin Concerto and a moving tribute to LA native Michael Tilson Thomas