Jin Ju Song-Begin's Thirst at Danspace a well-danced but overwrought study of intensity

Vicky Shick’s newest piece, presented at Danspace, was a motley crew of a thing in all aspects: colorful and wildly patterned costumes; dozens of pop-up solos, duets and trios, often occurring simultaneously; multi-generations of dancers; and even two separate “stages” within one space.

Dutch National Ballet give an exemplary account of a quadruple bill comprised of the late Hans van Manen’s works. It’s a wonderful tribute to the great master choreographer.

Juliano Nunes’ Romeo and Juliet for Philadelphia Ballet works on all fronts: as a visual spectacle with highly original choreography and as a vehicle for cultivating memorable performances.

Another tick for the Ballet Nights team, the audience at Cadogan Hall enjoying a varied and exceptional programme of new and legacy works.

A triple bill comprising Balanchine's Symphony in C, Agon and Firebird could not have been more inspiringly danced by New York City Ballet.

National Ballet of Japan’s Raymonda is a gem in the repertoire, despite shortcomings in the plot. Lavish production designs, stunning classical choreography and excellent dancers makes this a ballet lover's heaven.