Pour Corps et Lumiere L'Embarquement

By Pia Savoie, 08 December 2013

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Reviewed at Théâtre Mainline, Montreal on 5 December 2013

L'Embarquement (Stéphanie Morin-Robert)

Pour Corps et Lumière

Dada Masilo’s Hamlet: inimitable mix of wisdom and audacity

Maggie Foyer, 25th May

Dada Masilo wanted her audiences to feel the passion and to leave the theatre with a buzz. In her Hamlet, the commitment of the cast ensures this message still holds true.

****1

Glorious debuts in Ashton’s La Fille mal gardée at The Royal Ballet

Deborah Weiss, 23rd May

Two vivid debuts as Colas, marked the second revival of La Fille mal gardée this season at The Royal Ballet.

****1

At NYCB, Fairchild bids adieu in her final performances of Coppélia

Leigh Donlan, 22nd May

Megan Fairchild pours her heart into her final performances of Coppélia at New York City Ballet.

*****

Tap City at the Joyce Theater: an exercise in nostalgia

Ivy Lin, 19th May

A collection of tributes to former world class tap dancers alongside some new works that clearly thrilled the capacity audience at the Joyce Theater.

****1

Northern Ballet’s Gentleman Jack: brave but bland at Sadler’s Wells

Jonathan Gray, 19th May

A bold choice for Northern Ballet, Gentleman Jack is beautifully danced but doesn’t go far enough in celebrating difference, individuality and freedom.

***11

BalletBoyz: Still Pointless at 25 and still making it work!

Maggie Foyer, 13th May

The BalletBoyz present an entertaining programme of old and new works spanning the last 25 years – with stellar performances.

****1

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Pia Savoie

Pia Savoie is professionally trained in ballet and modern dance, with a background in hip hop and gymnastics. She is currently the editor of a high traffic lifestyle blog and is completing her BA in communications and cultural studies at Concordia University in Montreal.

Pour Corps et Lumière slightly miss the boat with L'Embarquement