Dance in Revolting Times

By Carla Escoda, 08 February 2016

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“Sin Palabras and Untitled Evidence successfully wove polemic into dance”

Reviewed at Dance Mission, San Francisco on 6 February 2016

Sin Palabras (Krissy Keefer)

Untitled Evidence (Amara Tabor-Smith)

Reclaim Bae (Sammay Dizon)

Dance Brigade

Royal Ballet School, School of American Ballet: the future is bright

Amanda Jennings, 18th June

An evening of outstanding dancing from the Royal Ballet School and the School of American Ballet. It was a case of spotting tomorrow’s stars in a beautifully balanced programme.

*****

BRB’s Sir Peter Wright Centenary: a fitting tribute

Graham Watts, 18th June

A splendid evening of celebration for Sir Peter Wright at the Birmingham Hippodrome focusing on excerpts from his own classical ballets and The Green Table by Kurt Jooss.

****1

Acosta Danza Yunior: fabulous dancers, uneven choreography

Deborah Weiss, 17th June

A welcome to Acosta Danza Yunior who have bags of potential. However, not all of the choreography engaged their talents sufficiently in this programme.

***11

Jesús Carmona in UnYdos: extraordinary, rhythmic and theatrical

Graham Watts, 16th June

Compañía de Danza Jesús Carmona in UnYdos was a stunning evening of pure flamenco artistry, enlivened by a tremendous sense of theatre, and augurs well for the rest of the festival.

*****

The Royal Ballet School at the Linbury: innovation and quality

Maggie Foyer, 16th June

The Royal Ballet School performing as part of the Next Generation Festival, offered a host of works by both students and internationally renowned choreographers which proved to be highly enjoyable.

*****

Kontakthof: Echoes of ’78 and Music Music – contrasts in Lugano

Vito Lentini, 11th June

Completely engaging performance of Pina Bausch’s Kontakthof: Echoes of ’78 finds our reviewer disappointed with Music Music from Trajal Harrell in Lugano.

***11

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Carla Escoda

Born in the Philippines, Carla trained as a ballet and modern dancer with the Alice Reyes Dance Company in Manila. She has lived and worked in Asia and the U.S. and has written about the arts for Bachtrack, KQED (the northern California public media broadcaster), Dance International, dance journal/hk, the Huffington Post, Dance Europe and ballettothepeople.

D.I.R.T., Dance in Revolt(ing) Times, Closes with a Mixed Bag