Dance in Revolting Times

By Carla Escoda, 08 February 2016

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“Sin Palabras and Untitled Evidence successfully wove polemic into dance”

Reviewed at Dance Mission, San Francisco on 6 February 2016

Sin Palabras (Krissy Keefer)

Untitled Evidence (Amara Tabor-Smith)

Reclaim Bae (Sammay Dizon)

Dance Brigade

The Royal Ballet and McGregor: stunning dancing but nothing really new

Deborah Weiss, 18th April

An evening of ballets by Wayne McGregor, including the world premiere of Quantum Souls, proved to be a little too much of the same thing.

***11

Pop goes postmodern: Kyle Abraham's Cassette Vol. 1 in New York

Carla Escoda, 16th April

A.I.M by Kyle Abraham with guest artist Taylor Stanley bring a postmodern vibe to an early MTV-era playlist. One of the most bewitching things you're likely to encounter this year.

*****

International Draft Works at the Linbury brought much to delight

Amanda Jennings, 16th April

The Royal Ballet's International Draft Works proved to be an excellent opportunity to see dancers and budding choreographers from around the world.

****1

Johnny Loves Johann, unevenly at the Joyce Theater

Carla Escoda, 14th April

Acclaimed violinist and 2024 MacArthur Fellow Johnny Gandelsman invited four choreographers to join him on a marathon through Bach's six cello suites. His musicianship was the highlight of the evening.

***11

Drama/no drama from New York Theatre Ballet at Judson Church

Carla Escoda, 10th April

Anthony Tudor and Merce Cunningham provided the lighter fare in a mixed bill that featured two world premieres from Kevin Iega Jeff, a veteran of the Chicago dance scene, and Julian Donahue, a newer voice.

****1

Martha Graham Dance Company celebrates 100 years in New York

Ivy Lin, 8th April

In a tremendous triple bill at New York City Center, Martha Graham’s genius and Janet Elber’s stewardship of the company into the 21st century deserve to be celebrated, loudly.

*****

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Carla Escoda

Born in the Philippines, Carla trained as a ballet and modern dancer with the Alice Reyes Dance Company in Manila. She has lived and worked in Asia and the U.S. and has written about the arts for Bachtrack, KQED (the northern California public media broadcaster), Dance International, dance journal/hk, the Huffington Post, Dance Europe and ballettothepeople.

D.I.R.T., Dance in Revolt(ing) Times, Closes with a Mixed Bag