Dorrance dance : a revelation

By Rebecca Galloway, 05 December 2016

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“I walked away stunned, and refreshed”

Reviewed at Théâtre Maisonneuve, Montreal on 1 December 2016

Dorrance Dance

The Australian Ballet does Romeo and Juliet: precision over passion

Katie Lawrence, 24th April

This revival of Romeo and Juliet combines vivid staging and technical leads, but the lover's careful partnership lacks the volatility that makes young love convincing and tragedy believable.

***11

Acosta's Don Quixote for BRB: polished but not quite enough panache

Jonathan Gray, 23rd April

Carlos Acosta's Don Quixote for Birmingham Royal Ballet returned to Sadler's Wells with polished but low-key interpretations across the board.

***11

The Royal Ballet and McGregor: stunning dancing but nothing really new

Deborah Weiss, 18th April

An evening of ballets by Wayne McGregor, including the world premiere of Quantum Souls, proved to be a little too much of the same thing.

***11

Natalia Makarova's La Bayadère: a night to remember in Oslo

Vikki Jane Vile, 17th April

Norwegian National Ballet gives a marvellous rendition of Natalia Makarova's La Bayadère. Opening night in Oslo was a strong argument for its place in any season, displaying ballet escapism at its best.

****1

The Center Will Not Hold: Dorrance Dance thrills at Sadler's Wells

Daniel Pratt, 17th April

Dorrance Dance offer a compelling mix of genres in The Center Will Not Hold – high energy, full of surprises, top quality performances.

****1

Women take over: Future Dance Festival at New York's 92nd Street Y

Carla Escoda, 17th April

Two evenings of live dance and a full program of dance films from young choreographers yielded much to admire and be amused by at the Future Dance Festival 2026.

****1

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Rebecca Galloway

Rebecca Galloway is a New Zealand-born writer and PR consultant for arts, design and culture. She studied dance for 13 years and has a degree in Art History from Victoria University of Wellington. She has held a variety of roles for organizations including the NZ School of Dance, City Gallery Wellington and Radio NZ, and was a strategic advisor to the national arts council Creative NZ. Rebecca left New Zealand for the United States, where she worked for renowned dance festival Jacob's Pillow in Massachussetts. Eventually finding herself in Montreal she fell in love and put down roots; currently splitting her time between communications for award-winning information design studio FFunction, dance criticism for a variety of publications and improving her rather patchy French. She tweets at @rtgalloway

Dorrance Dance: a revelation