Fashion, flamboyance and fervency at Cheltenham

By Simon Cummings, 06 July 2018

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“elegance matched by solemnity, tapping into extremes of emotional weight”

Reviewed at Cheltenham College Chapel, Cheltenham on 5 July 2018

Dupré, Laudate Dominum, Op.9 no.4

Fauré, Messe basse

Dupré, O salutaris hostia, Op.9 no.1

Duruflé, Requiem

Choir of Keble College

Anna Geniushene impresses Singapore in early Chopin and Brahms

Chang Tou Liang, 14th June

Anna Geniushene makes a welcome Singapore return, demonstrating that knows exactly what she is all about.

****1

Lise Davidsen's exquisite Schubert Lieder at the Aldeburgh Festival

Eleanor Knight, 13th June

The Norwegian soprano impresses in a Lieder programme that proves the highlight of the Aldeburgh Festival’s opening weekend.

*****

Beethoven 9 ends the RSNO’s season with blockbuster flair

Simon Thompson, 12th June

The wider RSNO family give their all in a blockbuster Beethoven Ninth Symphony to end their season.

*****

Andrey Boreyko and Maximilian Hornung make Sydney Symphony debuts

Zoltán Szabó, 12th June

An unusual combination of 20th-century Russian masterworks herald debut appearances by both conductor and soloist in Sydney.

****1

Branca’s Hallucination City: 100 electric guitars at Lincoln Center

Kurt Gottschalk, 12th June

The plugged-in six-string is the sound of New York City and Branca’s Symphony no. 13 (Hallucination City) for 100 guitars and drums is revived at Lincoln Center.

*****

Sun and moon delight in Roxanna Panufnik's new double concerto

Peter Connors, 11th June

The world premiere of Lunar Solar, Roxanna Panufnik's concerto for oboe, cor anglais and orchestra proves a memorable centrepiece in the RLPO's concert also including symphonies by Weber and Haydn

****1

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Simon Cummings

Simon Cummings is a composer, writer and researcher based in the Cotswolds. He composes instrumental and electronic music, exploring aspects of algorithmic composition, and has recently completed a Ph.D. in composition at the Birmingham Conservatoire under the supervision of Richard Causton and Howard Skempton. His musical tastes are ludicrously broad but are focused most on contemporary/avant-garde classical and electronic music. When not composing, he writes regularly about new music; Simon is the author of the contemporary music blog 5:4 (5against4.com), and regularly contributes articles for a variety of books, journals and websites. Follow him on Twitter @5against4.

Choir of Keble College brings fashion, flamboyance and fervency to the Cheltenham Music Festival