After an imperfect start, Dvořák’s Requiem catches fire at the Barbican

Yeol Eum Son’s Britten Piano Concerto formed the evening’s centre of gravity, played with lucid line, structural command and sudden fire. In Brahms’ Second Symphony, Sakari Oramo found conviction, proportion and a warmth that felt earned rather than applied.

Yeol Eum Son's superb performances of Bartók and Finzi are matched by intense and heady readings of Stravinsky and Weir by the BBC Symphony Orchestra under Sakari Oramo. 

A bewildering evening at the Barbican, where ambitious Icelandic programming collapses under its lofty ambition of defying genres and making music more appealing to a wide variety of audiences.

After a performance of Magnus Lindberg’s First Violin Concerto by Lisa Batiashvili at the Barbican, Stravinsky’s Perséphone stands the test of time. 

MacMillan's large scale choral work offers a rich variety of texts and musical ideas, the composer conducts the BBC Symphony with unerring precision.