Each Other, Scottish Ballet

By Kirsty Morgan, 23 April 2017

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“an important piece that is particularly resonant within today’s political landscape”

Reviewed at Tramway, Glasgow on 21 April 2017

Each Other (Ivgi & Greben)

Scottish Ballet

Kayla-Maree Tarantolo, Dancer

Phoenix visits London

Laura Dodge, 25th November

Phoenix Dance Theatre’s quadruple bill is a pleasing combination of excellent dancing and good choreography that left me smiling

****1

Utterly thrilling: Prelude – Skydiving from a Dream

David Smythe, 10th November

Prelude – Skydiving from a Dream from Scottish Ensemble and Andersson Dance: mesmeric choreographed Bach and Lutosławski with a blistering performance of Beethoven’s Grosse Fugue played from memory and on the move. Thrilling, daring and exciting.

*****

Ballet Black: a contrasting bill of Shakespearian envy and whimsy

Kirsty Morgan, 8th June

Ballet Black delights the Glasgow Tramway with a contrasting double-bill of Shakespearian envy and whimsy.

****1

Ballet Black in Glasgow

Kirsty Morgan, 29th October

The centrepiece of Ballet Black’s Triple Bill at the Tramway in Glasgow is Storyville: set in New Orleans during the roaring twenties.

****1

Ballet for cowboys and soldiers at Kansas City Ballet

Hilary Stroh, 20th March

Kansas City Ballet celebrate the USA’s 250th anniversary with three American ballets. Balanchine's Stars and Stripes, de Mille's Rodeo and a new work by Caili Quan, A Home Away.

****1

English National Ballet’s Body and Soul: a very mixed bag

Deborah Weiss, 19th March

English National Ballet presents a double bill of contrasts at Sadler’s Wells with startlingly mixed results, not all positive.

***11

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Kirsty Morgan

Kirsty is a Glaswegian pianist, flautist, singer and musicologist. She is studying a music degree at the University of Aberdeen and has eight years ballet, tap and modern dance experience. She enjoys 19th-century music, in particular, Franz Schubert. Her website is here.

Scottish Ballet's Each Other at the Tramway in Glasgow