Edinburgh Contemporary Music Ensemble at the Reid Concert Hall

In place of a full musical, this revue highlighted classic and contemporary songs that celebrate places and cultures, although some selections seemed questionable out of context.

Set in New Orleans during the Jazz Age, this riff on Offenbach's La Périchole captures the festive spirit of the summer, despite some tired jokes.

What does any theatergoer want from a stage musical? For starters, beautiful singing, solid acting, striking costumes, clever direction, and characters to love and to loathe. A melodic score with a few toe-tappers and a smart book and lyrics. The new production of Camelot presented at the Glimmerglass Festival is that theatergoer’s dream – a crowning glory, a royal treat.

Pour la production de ce Candide, le Capitole recevait un plateau et une équipe presque entièrement issus des milieux américains, faisant souffler dans l’enceinte du théâtre un vent de fraîcheur et de nouveauté.

Viktoria Mullova is a superb soloist in Brahms' Violin Concerto, while an orchestra full of soloists play Bartók’s Concerto for Orchestra with Kahchun Wong presiding. 

At 92NY, the JACK Quartet performs four new works developed in their JACK Studio, including a commissioned premiere from the electrifying Tristan Perich.