Bottled emotions uncorked in Glyndebourne's L'elisir d'amore revival

Renato Girolami (Dulcamara) and Matteo Desole (Nemorino)

Nardus Williams (Adina) and Biagio Pizzuti (Belcore)

Renato Girolami (Dulcamara), Maxime Nourissat (Dulcamara's assistant) and the Glyndebourne Chorus

Matteo Desole (Nemorino), Nardus Williams (Adina) and members of the Glyndebourne Chorus

By Dominic Lowe, 06 June 2023

Loading, please wait...

See full listing

“Nardus Williams so comfortable in her higher register that she could practically have lived there”

Reviewed at Glyndebourne Opera House, Glyndebourne on 4 June 2023

Donizetti, L'elisir d'amore

Glyndebourne Festival Opera

Ben Gernon, Conductor

Annabel Arden, Director

Lez Brotherston, Set Designer

Giuseppe di Iorio, Lighting Designer

London Philharmonic Orchestra

The Glyndebourne Chorus

Nardus Williams, Adina

Matteo Desole, Nemorino

Biagio Pizzuti, Belcore

Renato Girolami, Dulcamara

Glyndebourne revives Michieletto’s Kátya Kabanová

Mark Valencia, 3rd August

Damiano Michieletto’s production of Janáček’s opera breaks a key tenet of high-concept opera: where it should reveal, it obfuscates.

***11

All the world’s a jest: Falstaff returns to Glyndebourne

Mark Pullinger, 23rd July

Richard Jones' 2009 production returns to Glyndebourne after a long absence, but the 1940s comedy scrubs up fresh.

***11

A strong new Figaro opens at Glyndebourne

Dominic Lowe, 29th June

Mariame Clément is a popular director at Glyndebourne, and her new production of Figaro shows her trademark approach to hardhitting comedy.

****1

Glyndebourne's Saul still packs a punch 10 years on

Nick Boston, 8th June

Returning from the original run, Christopher Purves and Iestyn Davies were joined by a strong cast and chorus for a revival of Barrie Kosky's striking production.

*****

Unhurried suspense in a very English Parsifal

Peter Quantrill, 17th May

Compelling singers carry the day in the Glyndebourne Festival Opera's first staging of Wagner’s swansong.

****1

Glyndebourne’s season opens with Rossini’s Barber of Seville

David Karlin, 16th May

Annabel Arden’s production provides joyous comedy, with vocal and orchestral performances of the very finest.

*****

More reviews...

Dominic Lowe

Dominic Lowe recently completed a degree in Classics, and one of his great interests is the reception of Greece and Rome in opera. A regular opera-goer since his very early teens, he is particularly keen on the hidden operatic gems of the 19th century. He is largely based in the South of England.