ensemblebash@20 at Kings Place

By Paul Kilbey, 18 January 2012

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Reviewed at Kings Place: Hall Two, London on 16 January 2012

Traditional, Siwe Bell Music (arr. Ensemblebash)

Skempton, Shiftwork

Bedford, Bash Peace

Roach, January V (arr. Ensemblebash)

Reich, Mallet Quartet

Fitkin, Hook (Ensemblebash Commission, 1992)

Garland, Apple Blossom

Copeland, Gene Pool (Ensemblebash Commission, 1994)

Ensemble Bash

Prom 62: Eric Whitacre and Imogen Heap present a choral concert to make you stagedive

Verity Quaite, 29th August

Raucous cheering and stamping accompanied Eric Whitacre’s entrance and he looked every bit the part of rock star as he charismatically took to the mic to introduce this evening’s concert. Never before, he told us, had he been to a choral concert that made him seriously consider stagediving.

****1

Conviction, passion and clarity: Sir Stephen Hough at Wigmore Hall

Christopher Woodley, 19th May

Fragments by Brahms, Schoenberg and Schubert orbit Beethoven's Waldstein and Schumann's Carnaval in another masterful recital from Sir Stephen Hough.

****1

Spellbinding Gewandhausorchester Leipzig in Vienna’s Musikverein

Chanda VanderHart, 18th May

In Rachmaninov's Second Piano Concerto, Yulianna Avdeeva commands attention through sheer innate charisma, anchored in intense engagement.

*****

Edward Gardner makes a distinctive debut at the Pittsburgh Symphony

Sam Jacobson, 17th May

Edward Gardner’s Pittsburgh Symphony debut brings freshness and intensity to Beethoven and Tchaikovsky, alongside a sparkling tribute to Michael Tilson Thomas.

****1

Lucas and Arthur Jussen: a virtuoso pairing at Prague Spring

Frank Kuznik, 17th May

Lucas and Arthur Jussen make more than a guest appearance in a dazzling performance with the Academy of St Martin in the Fields.

****1

Ensemble 360 illuminates the gathering darkness in Sheffield

Phil Parker, 17th May

Nightfall in Sheffield General Cemetery provides the perfect atmospheric backdrop for Ensemble 360’s exploration of chamber music by Mozart, Weber and Korngold.

****1

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Paul Kilbey

Paul was Reviews Editor at Bachtrack from 2012 to February 2014. He has written on music and culture for publications including Culture Wars, the Huffington Post, the Independent and the Guardian. He holds BA and MPhil degrees in music from Sidney Sussex College, Cambridge, and is particularly passionate about contemporary music of all types. His website is here.