That tender spot in man: Enter Achilles danced by Rambert in Berlin

Último helecho, by Nina Laisné, François Chaignaud and Nadia Larcher, is a profound reflection involving the identity of a population and the repercussions of the various influences that have been layered over time.

In Batsheva’s German premiere of Momo, there is no narrative to be found, but rather a series of atmospheric sequences, creating a texture of inputs as ambiguous as reality itself.

Fil rouge modernity for Sasha Waltz & Guests triple bill Sacre at the Haus der Berliner Festspiele.