New York Phil and Esa-Pekka Salonen at The Shed: a new beginning

By Edward Sava-Segal, 16 April 2021

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“conducted with his trademark elegant and expressive gestures by Salonen”

Reviewed at The Shed, New York City on 15 April 2021

Shaw, Entr'acte

Sibelius, Rakastava (The Lover) for string orchestra, Op.14

Strauss R., Metamorphosen

New York Philharmonic

Esa-Pekka Salonen, Conductor

Semyon Bychkov conducts a triumphant New York Phil season finale

Susan Stempleski, 4th June

The Soviet-born American conductor delivers a robust account of Bruckner’s Eighth Symphony in the final program of the Philharmonic’s subscription season.

****1

Elim Chan takes the New York Philharmonic to the ball

Susan Stempleski, 27th May

The Hong Kong-born conductor conducts a masterful performance of selections from Prokofiev’s Cinderella and Philharmonic Principal Carter Brey bids farewell in Saint-Saëns’ First Cello Concerto.

****1

Memorable Mendelssohn from Marek Janowski and the New York Phil

Susan Stempleski, 21st May

Principal Trumpet Christopher Martin plays Haydn before the esteemed German maestro conducts a vibrant Scottish Symphony.

****1

Barbara Hannigan makes a powerful connection in La Voix humaine

Thomas May, 23rd April

The Canadian soprano and conductor fuses live performance and video in a taut, volatile account of Poulenc’s punch-packing monodrama with the New York Philharmonic, sharing the bill with Strauss’ valedictory Metamorphosen.

****1

A vocally perplexing economics assignment from David Lang

No’a L. bat Miri, 19th March

The New York Philharmonic and Gustavo Dudamel deliver the world premiere of Lang's The wealth of nations, inspired by Adam Smith's famous treatise.

***11

Weinberg rarity overshadows John Williams at the New York Philharmonic

Cameron Kelsall, 1st March

John Williams put butts in seats with the New York debut of his Piano Concerto, but the NY Phil's first performances of Mieczysław Weinberg’s Symphony no. 5 stole the show.

****1

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Edward Sava-Segal

Edward has been living in New York for the last 25 years, one of the reasons being the extraordinarily rich cultural life in this city. He has studied piano and classical music in his early years. He switched later on to computer science and data architecture but he kept an unwavering interest in following the classical music phenomenon here in New York and in his travels. Edward occasionally reviews fine arts events for the most prestigious literary magazine in Romania, his home country.

A new beginning: New York Philharmonic and Esa-Pekka Salonen at The Shed