Seeing double: Kasper Holten’s Eugene Onegin

By Mark Pullinger, 20 December 2015

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“Letter Scene, in which the older Tatyana dictates to her younger self, is almost unbearably poignant”

Reviewed at Royal Opera House, Covent Garden, London on 19 December 2015

Tchaikovsky, Eugene Onegin

The Royal Opera

Semyon Bychkov, Conductor

Kasper Holten, Director

Mia Stensgaard, Set Designer

Katrina Lindsay, Costume Designer

Dmitri Hvorostovsky, Eugene Onegin

Nicole Car, Tatyana

Michael Fabiano, Lensky

Oksana Volkova, Olga

Catherine Wyn-Rogers, Filippyevna

Ferruccio Furlanetto, Prince Gremin

Diana Montague, Madame Larina

Jean-Paul Fouchécourt, Monsieur Triquet

David Shipley, Captain

James Platt, Zaretsky

Orchestra of the Royal Opera House Covent Garden

Royal Opera Chorus

Emily Ranford, Dancer

Tom Shale-Coates, Dancer

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****1

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Turandot drowned in an orchestral tsunami at The Royal Opera

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Mark Pullinger

Mark has been a Bachtrack editor since 2014. He is also an experienced critic, writing hundreds of reviews for the site, as well as a freelancer writing for other magazines and newspapers. He also writes programme notes and blogs on Substack. Mark has a particular passion for the operas of Verdi as well as Russian and French repertoire. Outside the concert hall and opera house, Mark enjoys cooking and travel and is probably at his happiest let loose in a French patisserie or a Viennese coffee house.

Seeing double: Kasper Holten’s Eugene Onegin returns to Covent Garden