A portrait of what might have been: Eugene Onegin at Teatro di San Carlo

Gianni Amelio's 2021 production of Lucia di Lammermoor at the Teatro di San Carlo serves the music, but it no longer commands the same sense of discovery.

The French director’s much-travelled production arrives at the Teatro di San Carlo, displaying a precise balance between word, gesture and voice. 

Andreas Homoki’s staging at the Teatro di San Carlo, setting aside a few inconsistencies with the libretto, does not indulge in redundant symbolism. 

Vanessa Beecroft’s production of Ennio Morricone’s demanding sole opera relies on strong visual images. 

A new Medea at the Teatro di San Carlo presents three distinct visions – neoclassical in the pit, expressionistic on stage and conceptual in the direction – that never fully merge.

Faithful to the libretto’s dramaturgy, the staging unfolds in scenographic environments of strong impact -