Cloud Gate's Nine Songs

By Catherine Sutherland, 23 February 2014

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Reviewed at Sadler's Wells Theatre, London on 21 February 2014

9 Songs

Cloud Gate Dance Theatre of Taiwan

The Dutch National Ballet's Hans van Manen in Carré

Mark Vicente, 30th April

Dutch National Ballet give an exemplary account of a quadruple bill comprised of the late Hans van Manen's works. It's a wonderful tribute to the great master choreographer.

*****

A triumphant Romeo and Juliet from Philadelphia Ballet

Leigh Donlan, 30th April

Juliano Nunes’ Romeo and Juliet for Philadelphia Ballet works on all fronts: as a visual spectacle with highly original choreography and as a vehicle for cultivating memorable performances.

****1

Ballet Nights 011 – Convergence a winning formula at Cadogan Hall

Deborah Weiss, 29th April

Another tick for the Ballet Nights team, the audience at Cadogan Hall enjoying a varied and exceptional programme of new and legacy works.

****1

National Ballet of Japan’s Raymonda is a feast of excellent dancing

Naomi Mori, 25th April

National Ballet of Japan’s Raymonda is a gem in the repertoire, despite shortcomings in the plot. Lavish production designs, stunning classical choreography and excellent dancers makes this a ballet lover's heaven.

*****

Mira Nadon’s sparkling debut in Firebird with New York City Ballet

Ivy Lin, 25th April

A triple bill comprising Balanchine's Symphony in C, Agon and Firebird could not have been more inspiringly danced by New York City Ballet.

*****

The Australian Ballet does Romeo and Juliet: precision over passion

Katie Lawrence, 24th April

This revival of Romeo and Juliet combines vivid staging and technical leads, but the lover's careful partnership lacks the volatility that makes young love convincing and tragedy believable.

***11

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Catherine Sutherland

Catherine has recently moved to Beijing, where she writes, studies Chinese, and teaches English at a university. She has an avid interest in East and Southeast Asian performing arts and has also lived in Seoul, South Korea, and speaks Korean. Catherine is a graduate of Royal Holloway, University of London, worked as dance editor for Bachtrack for 6 months. You can read more on Catherine's Wordpress blog Catherine and the Lion

Cloud Gate Dance Theatre of Taiwan's Nine Songs