Laurence Equilbey brings intense and dramatic Zelenka and Mozart to the Salle Pleyel

Gorgeous French music, polished choral singing and excellent soloists are marred by an overwhelmingly dark timbre and unsympathetic video.

Laurence Equilbey makes a convincing case for a younger, fresher Fidelio played on period instruments.

Louise Farrenc bucked the trend by composing symphonies at a time when Paris had turned its back on the symphony.

A disappointing staging of Weber's supernatural opera by Compagnie 14:20 in Paris

There's a strong chance that the majority of the audience had never seen Louise Farrenc's Third Symphony before; conductor Laurence Equilbey made a strong case for repeat performances.

Early Mozart opera seria triumphs in Vienna’s ‘other house’.