Brahms versus Bruckner 2: Vladimir Jurowski conducts the LPO

By Ken Ward, 27 February 2014

Loading, please wait...

See full listing

Reviewed at Royal Festival Hall, London on 26 February 2014

Brahms, Double Concerto in A minor for Violin, Cello and Orchestra, Op.102

Halvorsen, Passacaglia for violin and viola or cello (after Handel) (Arr. for violin and cello)

Bruckner, Symphony no. 2 in C minor, WAB 102

London Philharmonic Orchestra

Vladimir Jurowski, Conductor

Julia Fischer, Violin

Daniel Müller-Schott, Cello

Wretches like us: the LPO’s concert Wozzeck cuts to the quick

Peter Quantrill, 25th April

Beautifully prepared singing and playing brings out the tender side to Berg's modernist classic as part of the Southbank Centre’s Multitudes festival.

****1

Karabits and Szeps-Znaider carouse with the LPO

Christopher Woodley, 8th April

The sparkle of Max Bruch's Fecond Violin Concerto and the drama of Beethoven's Pastoral Symphony overcome the gloom of Anna Thorvaldsdottir’s dark forebodings.

****1

Portraits and pictures from Ibragimova, Gardner and the LPO

Roy Westbrook, 1st April

From Three Screaming Popes to Pictures at an Exhibition, a pair of works inspired by paintings frame a violin concerto by Béla Bartók at London's Southbank Centre.

****1

Ticciati and the LPO deliver epic Sibelius plus lively Wennäkoski

Nick Boston, 25th March

Sibelius' Kullervo receives a dramatic performance from Ticciati and the LPO, with strong turns from Shenyang, Miina-Liisa Värelä and the YL Male Voice Choir.

****1

Paavo Järvi marks his new LPO appointment in Tchaikovsky and Sibelius

Mark Valencia, 4th March

Paavo Järvi demonstrates just why the London Philharmonic Orchestra has chosen him as its next Chief Conductor and Artistic Advisor.

*****

Canellakis, Mutter and the LPO at the Elbphilharmonie

Mengguang Huang, 24th February

Anne-Sophie Mutter’s commanding presence meet the London Philharmonic Orchestra’s exceptional adaptability, yielding a concert that balances tradition-steeped authority with modern transparency, rhythmic vitality and the orchestra’s own electrifying spontaneity.

****1

More reviews...

Ken Ward

Ken Ward spent most of his working life driving buses for Eastern National and London Buses. With a life-long enthusiasm for the works of Bruckner, he became editor of The Bruckner Journal in 2005 and was awarded The Bruckner Society of America 'Kilenyi' Medal of Honor in 2011.