Rare Russian repertoire fails to catch fire, despite the best efforts of Osmo Vänskä and the LPO.

By Renée Reitsma, 21 February 2014

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“Full of instantly memorable themes, it was a joy to hear the LPO perform it so well.”

Reviewed at Royal Festival Hall, London on 19 February 2014

Balakirev, Oriental Fantasy, "Islamey", Op.18

Khachaturian, Piano Concerto in D flat major, Op.38

Kalinnikov, Symphony no. 1 in G minor

London Philharmonic Orchestra

Osmo Vänskä, Conductor

Marc-André Hamelin, Piano

Wretches like us: the LPO’s concert Wozzeck cuts to the quick

Peter Quantrill, 25th April

Beautifully prepared singing and playing brings out the tender side to Berg's modernist classic as part of the Southbank Centre’s Multitudes festival.

****1

Karabits and Szeps-Znaider carouse with the LPO

Christopher Woodley, 8th April

The sparkle of Max Bruch's Fecond Violin Concerto and the drama of Beethoven's Pastoral Symphony overcome the gloom of Anna Thorvaldsdottir’s dark forebodings.

****1

Portraits and pictures from Ibragimova, Gardner and the LPO

Roy Westbrook, 1st April

From Three Screaming Popes to Pictures at an Exhibition, a pair of works inspired by paintings frame a violin concerto by Béla Bartók at London's Southbank Centre.

****1

Ticciati and the LPO deliver epic Sibelius plus lively Wennäkoski

Nick Boston, 25th March

Sibelius' Kullervo receives a dramatic performance from Ticciati and the LPO, with strong turns from Shenyang, Miina-Liisa Värelä and the YL Male Voice Choir.

****1

Paavo Järvi marks his new LPO appointment in Tchaikovsky and Sibelius

Mark Valencia, 4th March

Paavo Järvi demonstrates just why the London Philharmonic Orchestra has chosen him as its next Chief Conductor and Artistic Advisor.

*****

Canellakis, Mutter and the LPO at the Elbphilharmonie

Mengguang Huang, 24th February

Anne-Sophie Mutter’s commanding presence meet the London Philharmonic Orchestra’s exceptional adaptability, yielding a concert that balances tradition-steeped authority with modern transparency, rhythmic vitality and the orchestra’s own electrifying spontaneity.

****1

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Renée Reitsma

Renée lives in Essex and is a PhD student in Philosophy. She loves all sorts of classical and non-classical music, but has a particular love for Dmitri Shostakovich. She is in charge of the Heavy Symphonic playlist at Dutch classical music site 24classics and blogs here.