Conlon bows out of Ravinia with a soaring Dutchman

By Sam Jacobson, 18 August 2015

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“The octave tremolos in the strings... paint a barren, primeval landscape”

Reviewed at Ravinia Festival Pavilion, Chicago on 15 August 2015

Wagner, Der fliegende Holländer (The Flying Dutchman)

James Conlon, Conductor

Greer Grimsley, Dutchman

Amber Wagner, Senta

Kristinn Sigmundsson, Daland

Simon O'Neill, Erik

Ronnita Miller, Mary

Matthew Plenk, The Steersman

Chicago Symphony Orchestra

Chicago Symphony Chorus

Duain Wolfe, Choirmaster / chorus director

Glyndebourne’s first Tosca: vocally strong but imperfect

David Karlin, 21st May

Ted Huffman brings some interesting ideas to his first Glyndebourne production. Excellent singing is let down by indifferent physical acting.

***11

The ears have it: Purcell’s Dido and Aeneas on the Cutty Sark

Mark Valencia, 21st May

Come away fellow sailors, your anchors be weighing! All board the Cutty Sark for a semi-staging of Purcell's Dido and Aeneas with the Monteverdi Choir and English Baroque Soloists.

****1

The Drover's Wife brings Aboriginal Dreaming to opera audiences

Jeremy Eccles, 16th May

Emerging from different incarnations of Leah Purcell’s play, George Palmer’s opera develops traditional Dreaming elements from Aboriginal mythology, premiering in Brisbane.

****1

Anna Netrebko gatecrashes Riccardo Chailly’s La Scala farewell

Laura Servidei, 16th May

Riccardo Chailly’s final new production as artistic director is a celebration of Verdi and of a conductor whose relationship with the Milanese audience has clearly deepened over the years.

*****

Orlando revisited: Olga Neuwirth’s Woolf adaptation comes to Berlin

Elena Luporini, 16th May

The German premiere of Olga Neuwirth’s Orlando at the Komische Oper cements it as a postmodern grand opéra – for better or for worse.

***11

Iolanta paired with Luonnotar in dramatic Helsinki double bill

No’a L. bat Miri, 15th May

In Helsinki, Antony McDonald pairs Tchaikovsky’s Iolanta with a staged version of Sibelius’ tone poem Luonnotar, brilliantly voiced by soprano Silja Aalto.

*****

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Sam Jacobson

Sam Jacobson has been writing for Bachtrack since 2015 and is currently in Pittsburgh, having previously lived throughout the Midwest. A keen traveler, he endeavors to see all the great orchestras and opera houses across the US and abroad. Outside of music, he works as a software engineer. He also maintains a blog which can be read here.