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When Garrett + Moulton speak, the angels dance

By Jaime Robles, 30 July 2016
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“organic and naturalistic”
Reviewed at Yerba Buena Center for the Arts Theater, San Francisco on 28 July 2016
Programme
Speak, Angels (Janice Garrett, Charles Moulton)
Performers
Karen Clark, Contralto
Carolina Czechowska, Dancer
Vivian Aaragon, Dancer
Nol Simonse, Dancer
Michael Galloway, Dancer
Ryan Wang, Dancer
Alison Adnet, Dancer
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Alonzo King's LINES Ballet goes wild
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A projection of green sky above shadowy mountains hovered behind their duet, and the curved bodies of the other dancers moved, barely visible, in the darkness of downstage.
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Abstract ballet always asks the question of meaning, and Alonzo King Lines Ballet is one of the few companies that answers that question with existential exactness. 
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A moving, meditative evening with the dancers of Abraham.In.Motion in Kyle Abraham's latest and perhaps most personal work at the Yerba Buena Center for the Arts 
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Lines: Figures of Speech
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The world premiere of Figures of Speech at Alonzo King LINES Ballet was notable for the striking, individual beauty of the dancers, and for its towering score, that incorporated fragments of recorded poetry in languages currently threatened with extinction.  
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An unwavering pattern of sound, insistent in its energy and commitment.
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More by Jaime Robles
Visions of Classical (Re)Vision in San Francisco
Eifman Ballet in a strangely psychological Pygmalion Effect
Alonzo King's LINES Ballet takes a walk on the wild side
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Jaime Robles
Jaime Robles
Jaime Robles has previously written in the San Francisco Bay Area, including for the San Francisco Classical Voice. Also a poet, she has written song lyrics and librettos for several one-act operas, including Inferno (music by Peter Josheff), staged in 2009 by San Francisco Cabaret Opera, and Vladimir in Butterfly Country (music by Anne Callaway), staged in 2012.