American Ballet Theatre presents Balanchine's Raymonda: Grand Pas Hongrois and Ratmansky's Firebird which showcases the company well and provides a strong contrast.
Roman Mejia and a raft of soloist debuts galvanized Peter Martins' Sleeping Beauty. An elegant production with some incidental messiness and the structural liability of a princess' dependence on a kiss.
The Dutch National Ballet helped shake off those winter blues with a mixed programme that highlighted ballet’s love affair with Latin rhythms and movement.
NYCB has a winning triple bill with its Balanchine + Ratmansky program. Excellent dancing and contrasting works sends the audience home in buoyant mood.
Jamiel Devernay-Laurence’s winning formula for his Ballet Nights series has brought in new and old works, concert and dance, and continues to push the boundaries into 2026.
Kirsty is a Glaswegian pianist, flautist, singer and musicologist. She is studying a music degree at the University of Aberdeen and has eight years ballet, tap and modern dance experience. She enjoys 19th-century music, in particular, Franz Schubert. Her website is here.
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