Polished Glass: a return to form with the Eleventh Symphony

By Pamela Nash, 30 September 2017

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“Petrenko... coaxing just the right off-beat tonal stress from the immaculately polished RLPO strings”

Reviewed at Philharmonic Hall, Liverpool on 28 September 2017

Dvořák, Suite in A major for orchestra "American", Op.98b

Glass, Symphony no. 11

Scriabin, Symphony no. 2 in C minor, Op.29

Royal Liverpool Philharmonic Orchestra

Vasily Petrenko, Conductor

Paul Lewis balances delicacy with power in understated RLPO Beethoven

Glyn Mon Hughes, 12th March

Understatement is key in Paul Lewis' interpretation of Beethoven's Third Piano Concerto with the Royal Liverpool Philharmonic under Adam Hickox.

***11

Domingo Hindoyan's warm Bruckner 6 beguiles Liverpool

Peter Connors, 5th February

Schubert and Saint-Saëns provide an elegant first half before a change of tone and pace with Bruckner's Sixth Symphony.

****1

Sidorova mesmerises Liverpool with Tabakova’s Accordion Concerto

Glyn Mon Hughes, 22nd January

An unusual evening of orchestral virtuosity and an ear-opening adventure with the Royal Liverpool Philharmonic Orchestra under Andris Poga.

****1

Lozakovich, Foster and the RLPO: glorious Bruch and Tchaikovsky

Peter Connors, 4th December

Daniel Lozakovich captivated the audience in Liverpool with his Bruch; Lawrence Foster conducted the RLPO in superb performances of less familiar Liszt and Tchaikovsky.

*****

Hindoyan and Hough bring a new dream team to Liverpool

Glyn Mon Hughes, 27th November

Rachmaninov’s First Piano Concerto comes alive as Stephen Hough joins Domingo Hindoyan and the RLPO in an explosive performance of this dramatic work.

*****

Vasily Petrenko brings precision and power to Shostakovich’s Leningrad

Leighton Jones, 19th October

The Royal Liverpool Philharmonic Orchestra’s former Chief Conductor returns for a concert of mostly Russian repertoire.

****1

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Pamela Nash

Pamela Nash, a Harkness Fellow, studied the piano and harpsichord in London, Paris and the USA and holds a Master of Music degree from the University of Michigan. She has curated several contemporary harpsichord music events, and was the director of the British Harpsichord Society's International Composition Competition in 2014. Pamela has contributed articles and reviews for Harpsichord and Fortepiano, Contemporary Music Review and Sounding Board and was the producer for the recently-released recording of contemporary works for harpsichord, "Shadow Journey", on the Prima Facie label.

Polished Glass: a return to form with the Eleventh Symphony in UK première