Mirga Gražinytė-Tyla at Komische Oper

By Zenaida des Aubris, 02 July 2017

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“Gražinytė-Tyla immediately commanded attention when she mounted the podium”

Reviewed at Komische Oper Berlin, Berlin on 30 June 2017

Weinberg, Rhapsody on Moldavian themes for orchestra, Op.47 no. 1

Prokofiev, Symphony no. 1 in D major "Classical", Op.25

Tchaikovsky, Piano Concerto no. 1 in B flat minor, Op.23

Mirga Gražinytė-Tyla, Conductor

Gabriela Montero, Piano

Orchester der Komischen Oper Berlin

Handel’s Belshazzar at Komische Oper Berlin

Zenaida des Aubris, 28th March

The Baroque confectionery of Herbert Fritsch's production of Handel's oratorio belies a serious core which is all too close to today's headlines.

****1

Barrie Kosky directs a ferocious new Lady Macbeth of Mtsensk

Zenaida des Aubris, 31st January

Shostakovich's opera is laid bare in Berlin, to devastating effect, with a distinguished cast led by Ambur Braid.

****1

Opulent minimalism: Kosky directs a new staging of Akhnaten

Zenaida des Aubris, 23rd March

Barrie Kosky's new production of Philip Glass' Akhnaten for Komische Oper at the Schillertheater removes any egyptological references.

****1

A blade too dull: Kosky directs Sweeney Todd at Komische Oper

Elena Luporini, 17th November

With a brand new production by Barrie Kosky, Komische Oper Berlin's first venture into the Sondheim repertoire mostly falls flat.

**111

Kirill Serebrennikov’s Marriage of Figaro challenges Edinburgh

David Smythe, 16th August

Komische Oper Berlin's The Marriage of Figaro is staged at the Edinburgh International Festival with a strong cast headed by Penny Sofroniadou and Peter Kellner.

****1

Kosky's Eine Frau, die weiß, was sie will at Komische Oper

Elena Luporini, 22nd March

It takes two to tango... but what about vaudeville? A rerun of Barrie Kosky's production of Oscar Straus' Eine Frau, die weiß, was sie will owes most of its charm to the two leads.

***11

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Zenaida des Aubris

Zenaida des Aubris, based in Berlin, has over 30 years experience in artist management and production of classical music and opera in the United States, Europe and Asia. Currently, she offers consultation to music competitions and schools as well as to individual recent graduates on how to manage themselves and kickstart their careers through her company Opera Career Advice.

Mirga Gražinytė-Tyla leads a not-so-traditional evening of music at Komische Oper