The arts are blooming in William Christie’s Budapest Messiah

By Zoltán Szabó, 19 December 2016

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“Christie’s attention to detail was compelling”

Reviewed at Müpa: Béla Bartók National Concert Hall, Budapest on 17 December 2016

Handel, Messiah

William Christie, Conductor

Les Arts Florissants

Emmanuelle de Negri, Soprano

Katherine Watson, Soprano

Carlo Vistoli, Countertenor

Samuel Boden, Tenor

Konstantin Wolff, Bass

Les Arts Florissants play an abbreviated Christmas Oratorio in Paris

Simon Thompson, 13th December

Vigour and vibrato: Les Arts Florissant bring gallic refinement to Bach’s Christmas Oratorio at the Philharmonie de Paris.

****1

Gesualdo Passione with Les Arts Florissants

David Karlin, 16th October

Fusing the Renaissance polyphony of Les Arts Florissants with the contemporary dance of Compagnie Amala Dianor was an ambitious experiment, which displayed great virtues but didn't quite come off.

***11

Pop goes Purcell: Les Arts Flo serve up an intoxicating cocktail

Michelle Assay, 11th July

The Toronto Summer Music Festival opens with Les Arts Florissants’ enchanting performance of Purcell’s The Fairy Queen, featuring the singers of Le Jardin des voix and the dancers of Compagnie Käfig.

*****

Epiphany meditation from Paul Agnew and Les Arts Florissants

David Karlin, 5th January

In the intimate setting of Lauenen Church, Agnew and Les Arts Florissants introduce us to the austere sound world of Marc-Antoine Charpentier and other French composers of 17th-century sacred music.

***11

Handel's pastoral sings, dances and laughs at the Barbican

Roy Westbrook, 14th March

William Christie directs with all his customary close involvement, and profound belief in the work in hand.

****1

Les Arts Florissants dazzle in Handel’s Partenope in Lucerne

Laura Servidei, 3rd September

William Christie leads his legendary orchestra and a group of young singers in a successful performance of Handel’s semi-serious opera.

***11

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Zoltán Szabó

Zoltán Szabó is a cellist and musicologist. Having migrated from his native Hungary to Australia in 1985, he worked with the Australian Chamber Orchestra in Sydney until 1991, when he became Principal Cello with Opera Australia. In 2017, he was awarded with a Doctor of Philosophy degree (PhD). Currently, he is teaching music history and musicology at the Sydney Conservatorium of Music.